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February 3 - March 3, 2023

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For Those Who Toil

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Works by Michael Chambers and Millicent Kennedy

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Documentation by Amy Shelton

For Those Who Toil from left to right: Sundry Slag Part I, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid

We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen

We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen

We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen

For Those Who Toil from left to right: We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches

For Those Who Toil from left to right: We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches; Found Wooden and Rubber Industrial Spindles, Source Unknown; For Those Who Toil: Constructed, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches; For Those Who Toil Journals, Millicent Kennedy, Blank journals with proof prints from For Those Who Toil print run

For Those Who Toil from left to right: Found Wooden and Rubber Industrial Spindles, Source Unknown; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Tool Drawer I, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches; We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid

For Those Who Toil from left to right: Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches; Found Wooden and Rubber Industrial Spindles, Source Unknown; For Those Who Toil: Constructed, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches; For Those Who Toil Journals, Millicent Kennedy, Blank journals with proof prints from For Those Who Toil print run

Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches

Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches

Tool Drawer I, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches

Tool Drawer I, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches

For Those Who Toil: All Threads, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches 

For Those Who Toil: All Threads, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches 

For Those Who Toil: Constructed, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches 

 For Those Who Toil from left to right: Found Wooden and Rubber Industrial Spindles, Source Unknown; For Those Who Toil: Constructed, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches; For Those Who Toil Journals, Millicent Kennedy, Blank journals with proof prints from For Those Who Toil print run

For Those Who Toil Journals, Millicent Kennedy, Blank journals with proof prints from For Those Who Toil print run

Found Wooden and Rubber Industrial Spindles, Source Unknown

For Those Who Toil from left to right: We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches

Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid

Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid

For Those Who Toil from left to right: Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Found Wooden and Rubber Industrial Spindles, Source Unknown

For Those Who Toil from left to right: Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches; For Those Who Toil: Constructed, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches; For Those Who Toil Journals, Millicent Kennedy, Blank journals with proof prints from For Those Who Toil print run

For Those Who Toil above to below: We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid

For Those Who Toil from left to right: For Those Who Toil: All Threads, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches; Found Wooden and Rubber Industrial Spindles, Source Unknown; Sundry Slag Part I, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches

For Those Who Toil from left to right: We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen; Sundry Slag Part I, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Tool Drawer II, Millicent Kennedy, Discarded tools and oval frame quilted into organza and dye printed and immersion dyed cotton, 21 x 19 inches; Found Wooden and Rubber Industrial Spindles, Source Unknown; For Those Who Toil: Constructed, Millicent Kennedy, four-layer screenprint printed with fabric dye, in artist made frame,15 x 11 inches

For Those Who Toil from left to right: We Have Hands and So We Work, Millicent Kennedy, Inoperable sewing machine parts quilted into immersion dyed and screenprinted with dye silk, cotton, and linen; Sundry Slag Part I, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid; Sundry Slag Part II, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid

Sundry Slag Part I, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid

Sundry Slag Part I, Michael Chambers, Steel slag, cast concrete, ceramic, reclaimed wood, expanding foam, asphalt tar, diesel exhaust fluid

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