October, 7 - November, 3 2022

Orientation​

Works by Lauren Iacoponi, Natalie Pivoney, Shane Elliot Bowers, Sarah Dupré,

John Linquist, Amy Shelton, Michael Chambers, and Giselle Mira-Diaz. Exhibition catalog here.

Documentation by Amy Shelton

Orientation, from left to right: Baptism by Fire, Sarah Dupré, Oil on canvas, framed, 7 x 7 inches, 14 x 14 inches framed; 1 of 22, John Linquist, Lithograph print, framed, 17 x 24 inches; Feet of Mud: Misstep, 2021, Michael Chambers, Ceramic, concrete, asphalt tar, DEF, Variable dimensions; Penny University, 2022, Natalie Pivoney, Oil on canvas, 40 x 30 inches 

Orientation, from left to right: Feet of Mud: Misstep, 2021, Michael Chambers, Ceramic, concrete, asphalt tar, DEF, Variable dimensions; Penny University, 2022, Natalie Pivoney, Oil on canvas, 40 x 30 inches;  Clingy, 2021, Amy Shelton, Photography, inkjet print, frame, 16 x 20 inches; Halo/Hang Low, 2022, Lauren Iacoponi, Wood panel, acrylic paint, fabric, wax, 12 x 16 inches

Orientation, from left to right: Amy Shelton, Photography, inkjet print, frame, 16 x 20 inches; Halo/Hang Low, 2022, Lauren Iacoponi, Wood panel, acrylic paint, fabric, wax, 12 x 16 inches; Destabilize our Countries in Exchange for Cheap Bananas, 2022, Giselle Mira-Diaz, Inkjet photographic print, framed, Diptych 12 x 18 inches and 18 x 24 inches; Who Are You Calling A Tranny?, 2022, Shane Elliot Bowers, Plaster, mirror, black flock, engraving, 11.5 x 9.5 inches 

Orientation, from left to right: Halo/Hang Low, 2022, Lauren Iacoponi, Wood panel, acrylic paint, fabric, wax, 12 x 16 inches; Destabilize our Countries in Exchange for Cheap Bananas, 2022, Giselle Mira-Diaz, Inkjet photographic print, framed, Diptych 12 x 18 inches and 18 x 24 inches; Who Are You Calling A Tranny?, 2022, Shane Elliot Bowers, Plaster, mirror, black flock, engraving, 11.5 x 9.5 inches 

Amy Shelton, Photography, inkjet print, frame, 16 x 20 inches

Halo/Hang Low, 2022, Lauren Iacoponi, Wood panel, acrylic paint, fabric, wax, 12 x 16 inches

Halo/Hang Low (Detail), 2022, Lauren Iacoponi, Wood panel, acrylic paint, fabric, wax, 12 x 16 inches

Halo/Hang Low (Detail), 2022, Lauren Iacoponi, Wood panel, acrylic paint, fabric, wax, 12 x 16 inches

1 of 22, John Linquist, Lithograph print, framed, 17 x 24 inches

Orientation, from left to right: Amy Shelton, Photography, inkjet print, frame, 16 x 20 inches; Halo/Hang Low, 2022, Lauren Iacoponi, Wood panel, acrylic paint, fabric, wax, 12 x 16 inches; Destabilize our Countries in Exchange for Cheap Bananas, 2022, Giselle Mira-Diaz, Inkjet photographic print, framed, Diptych 12 x 18 inches and 18 x 24 inches

Orientation, from left to right: Destabilize our Countries in Exchange for Cheap Bananas, 2022, Giselle Mira-Diaz, Inkjet photographic print, framed, Diptych 12 x 18 inches and 18 x 24 inches; Who Are You Calling A Tranny?, 2022, Shane Elliot Bowers, Plaster, mirror, black flock, engraving, 11.5 x 9.5 inches 

Destabilize our Countries in Exchange for Cheap Bananas, 2022, Giselle Mira-Diaz, Inkjet photographic print, framed, Diptych 12 x 18 inches and 18 x 24 inches

Who Are You Calling A Tranny?, 2022, Shane Elliot Bowers, Plaster, mirror, black flock, engraving, 11.5 x 9.5 inches 

Who Are You Calling A Tranny?, 2022, Shane Elliot Bowers, Plaster, mirror, black flock, engraving, 11.5 x 9.5 inches 

Baptism by Fire, Sarah Dupré, Oil on canvas, framed, 7 x 7 inches, 14 x 14 inches framed

Baptism by Fire (Detail), Sarah Dupré, Oil on canvas, framed, 7 x 7 inches, 14 x 14 inches framed

Penny University, 2022, Natalie Pivoney, Oil on canvas, 40 x 30 inches 

Penny University (Detail), 2022, Natalie Pivoney, Oil on canvas, 40 x 30 inches 

Feet of Mud: Misstep, 2021, Michael Chambers, Ceramic, concrete, asphalt tar, DEF, Variable dimensions

Feet of Mud: Misstep, 2021, Michael Chambers, Ceramic, concrete, asphalt tar, DEF, Variable dimensions

Feet of Mud: Misstep (Detail), 2021, Michael Chambers, Ceramic, concrete, asphalt tar, DEF, Variable dimensions